It was the first of three candy-colored entertainments the trio made together, including “Lover Come Back” (1961) and “Send Me No Flowers” (1964).
Three years later, Hudson teamed up with squeaky clean leading lady Doris Day and sardonic supporting player Tony Randall for the frothy romantic comedy “Pillow Talk” (1959). Unfortunately, Hudson and Dean’s onscreen rivalry played out in real life as well, with the two splitting the vote in Best Actor and swinging the prize to Yul Brynner (“The King and I”). Based on Edna Ferber‘s sprawling novel, the film centers on a decades-long feud between a Texas rancher (Hudson) and an oil baron ( James Dean), with the rancher’s glamorous wife ( Elizabeth Taylor) in the center. He received his sole Oscar nomination for George Stevens‘s gargantuan epic “Giant” (1956). Trashed by critics and adored by audiences in their time, these works have found a second life as clever subversions of American values, influencing filmmakers such as Pedro Almodovar and Todd Haynes. Shot in glossy Technicolor with a sweeping musical score, the film was the first of many the actor made with the German-born auteur, including “All That Heaven Allows” (1955), “Written on the Wind” (1956), and “The Tarnished Angels” (1957).
Hudson spent years as a supporting player and leading man in B-pictures before shooting to stardom in Douglas Sirk‘s soap opera satire “Magnificent Obsession” (1954). Let’s take a look back at 12 of his greatest films, ranked worst to best. The life and career of Rock Hudson got a extremely revisionist look in Ryan Murphy’s limited series “Hollywood.” The Oscar-nominated actor made a name for himself as a hunky leading man in romantic comedies, melodramas and adventure flicks.
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